Modern Times

Sound plays a different role in Chaplin’s Modern Times than we have come to expect from the “talkies” we are used to today.  In Chaplin’s film, sound is used in rare instances for comedic effect (sounds effects, such as when he’s tightening all the wrong bolts), and also in a way to demonstrate power. This can be noted in the beginning when we only hear the factory boss, or in instances of hearing the radio, in which case one could argue the idea that the newsman was creating the news, and that was inferring an expression of power. It is also played with when the Tramp sings in complete gibberish. His content-with-himself state of being can be interpreted as power, but at the same time, he takes this power, and by speaking gibberish, some may say fumbles it. However, this is not the case, he in fact was a success with his gibberish singing. (Much like Chaplin himself in the making of Modern Times if you think about it).

         Chaplin’s comedy relies heavily on subtleties, which makes it so well suited to silent film. His facial expressions, his actions and his setting are what make his comedy shine. We don’t need sound to chuckle at him tightening the buttons on a woman’s skirt; his expressions are enough to make us laugh. He uses such exaggerated actions; they do the talking for him. Chaplin is still able to hold on to this talent even in a partial sound film. He uses sound tastefully, only adding it where it will add to the action, rather than distract from his own special brand of comedy.