When introduced to Elie, I felt
sympathy towards her overall. The sympathy left quickly every time she killed
someone, or her caretaker did so on her behalf, but it always returned when I
saw her in her more normal, calm form. The film is meant to set us up to feel
sympathy for her. Her character starts this setup: she’s pale, she’s thin, she
looks almost sickly, her bright bulging eyes speak to the fear she is living
in, her lips are always dry and cracked and her hair is rather messy. The first
time we see her, she is sitting barefoot on a jungle gym in her thin clothes, almost pajamas in
the snow, she truly looks like an orphan. Balancing her with Oskar, whose
emotional makeup is much like her external makeup (the fear, the neglect in his
own life, etc.) but who on the outside appears to be just a normal kid.
 |
| Here we see Elie's pale skin, cracked lips, bulging eyes, etc. This clip is where she looks the most sickly, and it sets our expectation for her for the rest of the film. |
To touch on their relationship, what person can’t relate to
Elie isolating herself from Oskar, yet eventually succumb to her feelings? I
think that their relationship is mutually supportive and loving. Had their been
any hint that perhaps her previous caretaker “owed her”, I would’ve been far
more suspicious that she had every intention of simply using Oskar. However,
she offers to help him, and saves his life in the end, and that’s what makes me
think she has a true sense of caring for him. Its not nearly as complex to
decipher where Oskar stands with Elie. He is truly attracted to her and he
truly cares about her, one can see it in his mannerisms around her.
 |
| In this clip, Oskar is purposefully, intently listening to whatever message Elie is sending, and carefully tapping his own to her. |
I felt
like, in the majority of the film, Oskar had a strained relationship with both
of his parents, and did not get the attention he desired. I invite anyone who
reads this post to discuss their thoughts on that too, because at the same time
the scene with he and his mother brushing their teeth together threw me for a
loop, because that struck me as a nice mother-son moment. Going off of that
idea, though, perhaps one could argue Oskar is just so thankful someone wants
to pay attention to him, which could be why he ignores Elie’s comments about
“not being a girl”.
As far as Elie being a vampire that this generation
deserves, that’s a very interesting thought. The fact that she wanted to avoid
“going steady” could speak to the fact that marriage isn’t as sacred an
institution it once was, that relationships have become much more casual.
However, her overall role, interestingly enough takes a more traditional turn
when you think of it; from what we know, her caretakers are men, and she is a
female vampire, which could be taken as a statement for the man being the
breadwinner in a family (or, in her case, the blood-winner). She could’ve just
as easily attached herself to Oskar’s mother emotionally, if she could’ve been
convinced, and had a maternal figure in her life and the story could’ve
forfeited romance for a film about family dynamics, a little Brady Bunch meets
the Adams Family. The fact that Elie is a young girl with such strong and evil
powers I think can speak to today’s fears. In a world where children harm each
other and adults, the idea of a young girl having such a powerful, demonic capacity
is very real and frightening. At the same time, audiences are not yet expecting this from a character of this
appearance.
Apologies for the white highlighting in the post, I cannot seem to get it to "un-highlight"
ReplyDelete